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The most effective horror performs into our deepest fears, and confronts us with anxieties that we really feel in our personal lives. The Exit 8 effortlessly ties into one thing that terrified loads of us. Getting misplaced in a subway. Not the sandwich store, although which may unsettle us too.
There’s one thing particularly unnerving about underground tunnels with their fluorescent lights and tiled partitions. There’s no method of telling whether or not it’s daytime or nighttime. The entire place has a profoundly unsettling vibe that you simply may discover specifically after the crowds have gone.
A Unusual Environment
The Exit 8 traps you right here. You end up in a seemingly infinite community of tiled, white corridors dotted with indicators and posters. There’s nothing however the buzz of the electrical lights and your individual footsteps as you wander this labyrinth.
Are you able to consider one thing worse than being trapped alone in an underground liminal area with little thought of what to do? Being trapped down there with.. one thing else. There are anomalies within the tunnels. Should you discover one, you could depart. Promptly.
Discover Your Manner Out
Your solely hope is to seek out the titular Exit 8, which guarantees a method out of this Backrooms-esque hellscape. It may not be simple to seek out although, particularly with the strangeness of the tunnels.
Press on if you happen to can, press on if you happen to dare, and possibly you’ll be able to attain Exit 8 and freedom.
The entire thing presents itself in really gorgeous visible constancy so far as environments go. Between the fashions, textures, and lighting, you can simply mistake the gameplay for actual footage. This solely makes the sense of dread method worse.
Sound like your favourite sort of nightmare? The Exit 8 is accessible from November thirtieth for PC through Steam. It’s accessible in each English and Japanese, although it’s not heavy on dialogue.
Need some extra horror to get your enamel into? Try our information on EXCUSE ME SIR.
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